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World IP Day 2025

Intellectual property and music: Feel the beat of IP

From rhythms that make us dance to lyrics that express our feelings, music enriches every aspect of our lives. World Intellectual Property Day 2025 shows how creativity and innovation, supported by intellectual property rights, create a vibrant, diverse and thriving music scene that benefits everyone. Join us in celebrating the universal language of music and the creative people behind it!

World IP Day was first proclaimed by World Intellectual Property Organization website (WIPO) at the suggestion of UNESCO in 2000, exactly 30 years after the WIPO founding convention came into force on April 26, 1970.

Patent information centers and DPMA join in the celebrations

World IP Day is celebrated all over the world and everyone - whether patent and trade mark offices, universities, non-governmental organizations - is invited to celebrate this day, the "sound of music" day. The DPMA is also taking part in World IP Day and, together with the patent information centers (PIZ), is offering events on all aspects of intellectual property protection.

The "sound of music" that you may have in your ear

What is being played here?
Would you have guessed it?

On World IP Day 2025, the DPMA presents pieces of music that have recently become copyright-free. In Germany, pieces of music and song lyrics are considered copyright-free 70 years after the death of the artist.

To the music video

"Feel the beat of IP": The DPMA Jazz Combo also gave a concert in Munich city centre in honour of the World Day.

The "sound of music" in the design register

Musical instruments in many sound colors

On World Intellectual Property Day, we take a look at the creative interface between design and music. Our selection from the register shows how form, color and function accompany the sound of music - from smart speakers and stylish headphones to innovative instrument designs.

standing violin
Design-Number 40 2014 002 206-0001; Violins; 17-03
black piano
Design-Number 40 2017 101 022-0004; Pianos; 17-03
Harmonica
Design-Number 40 2016 200 464-0001; Accordions; Harmonicas; Patterns; 17-01, 17-02, 19-08
Part of a drum kit
Design-Number 40 2022 202 585-0006; Bass drums [musical instruments]; music drums; percussion instruments; 17-04
Loudspeaker
Design-Number 40 202 3200904.2; Loudspeaker; Smart speakers; Loudspeaker; Loudspeaker housing; 14-01
Headphones
Design-Number 40 202 4200438.8 – Design 12; Protective clothing; earmuffs; headphones; radio headphones; 02-02, 02-03, 14-01
One-hand fastener for instrument cases
Design-Number 40 202 2100461.3; Magnetic fasteners [haberdashery]; Magnetic fasteners [other than haberdashery]; Closing devices; 02-07, 08-07
Printed music paper
Design-Number 40 202 3202052.6;Music paper; 19-08

The "sound of music" in the law of copyright

  • Can I simply cover a piece of music and what do I have to bear in mind?

    Pieces of music are protected by copyright - therefore, if you want to play (cover) someone else's piece of music in public, for example at a folk festival or concert, you will usually need the appropriate licenses. A license is the right to use a copyrighted work in a certain way, for example to play the piece of music in public. Collecting societies, such as GEMA in Germany, are often the right contact here. If the author is not represented by a collecting society, you should clarify the use with them (or the rights holders) directly. If the performance is not public, for example at a private party, no license is required.

    By the way: Even if you are planning a public event with pieces of music that are either already old and therefore no longer protected by copyright (authors have been dead for more than 70 years) or whose authors are not represented by GEMA, it is advisable to register the event with GEMA. This is because, according to case law, it is generally assumed that GEMA may enforce certain rights of the author or rights holder, such as the performance rights to entertainment music. This presumption also extends to the fact that the works are protected by copyright. By registering, GEMA can check whether the pieces of music may be played without a license (and therefore free of charge).

  • What do I have to bear in mind if I want to adapt a well-known song?

    If you want to rewrite a copyrighted song or change the melody, this is referred to as an “arrangement”. Publication or use is then generally only permitted if the author or rights holder has agreed to this. Furthermore, only then can you register the arrangement with GEMA.

    It is always permitted to adapt pieces of music whose term of protection has expired. In Germany, this is the case if at least 70 years have passed since the year of the author's death.

    For example, the composer Arnold Schönberg died on July 13, 1951, which means that his works have been in the public domain since January 1, 2022 and may be freely adapted in these (original) versions. However, arrangements by third parties may still be protected by copyright.

    What happens if a piece has several authors? Not every piece comes from a singer-songwriter - it is therefore not uncommon for a piece of music to have several authors. For example, several authors of a song lyric or several composers of a melody. The work is then in the public domain if the longest living co-author has been deceased for 70 years. This also applies to so-called "musical compositions with lyrics", where both contributions were created specifically for the musical composition with lyrics in question.

    Attention: The singer is not always the author! Therefore, you cannot simply change a song 70 years after the death of the performer. Instead, you must always check who the author or authors are and whether they have been dead for at least 70 years.

  • How do I find the author if I don't know who wrote the piece of music?

    Music publishers or collecting societies can often help here. If authors are represented by a collecting society, a look at their databases can also help.

The "sound of music" in pop culture

The electric guitar and property rights
IP´n guitars

The most monumental misjudgement in the history of music: in 1962, a manager refused to sign a young band called ‘The Beatles’ on the grounds that guitar bands were ‘on the way out’. The heyday of guitar bands was only just beginning. And the electric guitar is still here.

Read more

Patents, brands & pop
IP rocks!

Did you know why the Beatles argued with a computer manufacturer for a long time? Or that the Queen guitarist is an inventive astrophysicist with a PhD? That Jimi Hendrix inspired several patents and brands? Bob Dylan named a whisky brand after a song?

Read more

The "sound of music" also inspires the European Patent Office

Bild eines Plattencovers

For the European Patent Office (EPO), too, the WIPO motto "IP and Music: Feel the Beat of IP" emphasises the powerful connection between creativity, music and intellectual property. To celebrate World IP Day, the EPO has prepared a playful tribute to the style of vinyl albums with the "music album drop", designed to arouse curiosity and stimulate conversation about intellectual property.


The "sound of music" at WIPO

Music as a universal form of creative expression - this also applies to WIPO Director General Daren Tang, who recorded a externer Link video message to mark World IP Day 2025. For more information on this year's celebration, WIPO's calendar of events, and information on previous World IP Days, please visit the externer Link World Intellectual Property Organization website (WIPO).

Pictures: WIPO, EPO; further pictures from DPMA, DPMAregister

Last updated: 25 April 2025